#34/35
- Contributors
- Nicolas Kemper, Michael Nicholas, Carlos Ortega Arámburo, Enrique Ramirez, Ana Karina Zatarain, Zachary Torres, Eric Schwartau, Nolan Boomer, Chenoe Hart, Kat Herriman, Aaron Timms, Marianela D’Aprile, Hayley J. Clark, Rachel Bondra, Lyta Gold, Tisya Mavuram, Ben Davis, Benjamin Serby, Avi Garelick, Andrew Schustek, Thomas de Monchaux, Mario Carpo, Peter Lucas, Pete Segall, Samuel Medina, Samuel Stein, Joshua McWhirter, Ameena Walker, Casey Mack, Zach Mortice, Sophie Haigney, Clare Fentress, Charlie Dulik, I. L. Sherman, Kate Wagner, Adam Brodheim, Nicholas Raap, Poun Laura Kim, Cody Tyler Schueller, Sebastián López Cardozo, Shane Reiner-Roth, & Emily Conklin
- Editor
- Samuel Medina
- Deputy Editor
- Marianela D’Aprile
- Publisher
- Nicolas Kemper
- Art Director
- Laura Coombs
- Digital Director
- Seth Thompson
- Cover Illustrator
- Sean C. Suchara
- Illustrators
- Sean C. Suchara, Rose Wong, June Lee, & The Hustle Architect
- Operations
- Nicholas Raap
- Skyline Editors
- Kavyashri Cherala, Osvaldo Delbrey, Palmyra Geraki, Sebastián López Cardozo, Michael Nicholas, & Nicholas Raap
- Copy Editor
- Don Armstrong
Articles
I first visited Seward Park on the Lower East Side in 2020, looking for a newspaper box that served as the single distribution point for a publication then much in demand among New York’s writing set: the Drunken Canal.
If there’s a correct path through American Museum of Natural History, it’s totally elusive.
Food halls have spread far and wide, deflavorizing neighborhoods every step of the way.
War, religion, and eternity at Calatrava’s new World Trade Center church.
Neglected for decades, the area around Citi Field is poised for major redevelopment. What changed?
A union sympathizer turned strike veteran walks the picket line.
Rising sea levels and new weather phenomena portend an uncertain future for New York City’s Superfund sites.
I could describe The Hub for you, but what’s the point? You already know what it looks like.
Reviews
Spatializing Justice: Building Blocks by Teddy Cruz and Fonna Forman. The MIT Press, 140 pp., $22.95
Architectures of Spatial Justice by Dana Cuff. The MIT Press, 304 pp., $34.95
As if the concept of “justice” alone weren’t complicated enough, adding spatial to it moves things into labyrinthine territory.
Unsupervised: Machine Hallucination by Refik Anadol is installed in a lobby of the Museum of Modern Art, New York.
In Unsupervised, everything comes to you from the giant LED screen and aiming straight for your eyeballs. Call it blunt force psychedelia.
Discipline Park by Toby Altman. Wendy’s Subway, 109 pp., $18
It is the poet, of all people, who exposes the narratives that architects, critics, and institutions use to justify destruction.
Metropolitan Transportation Authority R211 Subway Car, built by Kawasaki Railway Manufacturing, 2023
The new R211 subway cars represent a high-tech distraction from the system’s deeper woes.
Julie Becker (W)hole, curated by Jay Ezra Nayssan, was on view at Del Vaz Projects in Santa Monica, California, from February 4 to April 8, 2023.
Julie Becker spent her life in Los Angeles. She ended it there too.
Gaetano Pesce Unframed was on view at Galerie56 from March 2 to May 8.
On the work of wily Italian designer Gaetano Pesce
New York’s foremost memoirist-crank blames the “normals”—influencers, neo-yuppies, consumers with bland taste—for the city’s decline.
Blank: Speculations on CLT, edited by Jennifer Bonner and Hanif Kara. Oro
Editions, 240 pp., $50.
It would be tempting to lump CLT in with the “post-digital” tendency in architecture. But that would be wrong.
Mass Support, curated by Curatorial Research Collective and designed by Office ca, was on view at the Bernard and Anne Spitzer School of Architecture from March 21 to May 7.
Unlike the city’s current modes of participatory planning, a recent City College exhibition seemed genuinely concerned with realizing the desires of residents.
Modern Architecture in Japan by Manfredo Tafuri. Mack Books, 256 pp., $28
Manfredo Tafuri’s first book—a study on Japanese modern architecture—offers a picture of a brilliant historian as a young critic.
Titanic: The Exhibition is on view at 526 Sixth Avenue, New York, NY 10011 through November 2023.
Like many disaster stories, the story of the Titanic continues to compel us because it contains so many traces of human choices and fallibility.