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Articles

I first visited Seward Park on the Lower East Side in 2020, looking for a newspaper box that served as the single distribution point for a publication then much in demand among New York’s writing set: the Drunken Canal.

Address A Building

If there’s a correct path through American Museum of Natural History, it’s totally elusive.

On New York’s changing bath culture

Food halls have spread far and wide, deflavorizing neighborhoods every step of the way.

Reportage

Armory buildings are everywhere in this city. Should they be?

War, religion, and eternity at Calatrava’s new World Trade Center church.

Reportage

Neglected for decades, the area around Citi Field is poised for major redevelopment. What changed?

Reportage

A union sympathizer turned strike veteran walks the picket line.

Reportage

Rising sea levels and new weather phenomena portend an uncertain future for New York City’s Superfund sites.

You, too, could own a piece of the marketplace of ideas.

I could describe The Hub for you, but what’s the point? You already know what it looks like.

Reviews

As if the concept of “justice” alone weren’t complicated enough, adding spatial to it moves things into labyrinthine territory.

In Unsupervised, everything comes to you from the giant LED screen and aiming straight for your eyeballs. Call it blunt force psychedelia.

It is the poet, of all people, who exposes the narratives that architects, critics, and institutions use to justify destruction.

  • Metropolitan Transportation Authority R211 Subway Car, built by Kawasaki Railway Manufacturing, 2023

The new R211 subway cars represent a high-tech distraction from the system’s deeper woes.

  • Julie Becker (W)hole, curated by Jay Ezra Nayssan, was on view at Del Vaz Projects in Santa Monica, California, from February 4 to April 8, 2023.

Julie Becker spent her life in Los Angeles. She ended it there too.

On the work of wily Italian designer Gaetano Pesce

New York’s foremost memoirist-crank blames the “normals”—influencers, neo-yuppies, consumers with bland taste—for the city’s decline.

It would be tempting to lump CLT in with the “post-digital” tendency in architecture. But that would be wrong.

  • Mass Support, curated by Curatorial Research Collective and designed by Office ca, was on view at the Bernard and Anne Spitzer School of Architecture from March 21 to May 7.

Unlike the city’s current modes of participatory planning, a recent City College exhibition seemed genuinely concerned with realizing the desires of residents.

Manfredo Tafuri’s first book—a study on Japanese modern architecture—offers a picture of a brilliant historian as a young critic.

Like many disaster stories, the story of the Titanic continues to compel us because it contains so many traces of human choices and fallibility.

Shortcuts

Skyline

Morningside Heights — “The past cannot change, [people’s] trauma cannot change, but seeing monuments [come] alive helps them move on.”
Midtown — A real-life New York archidrama crosses the footlights.
Union Square — The relationship between the architect and the museum is one of scales of time.
Chicago — Like the bicycle, a building is a tool.
Pittsburgh — “We didn’t hear so much about the impact of that kind of thinking on architecture in the conventional sense.”
Wall Street — “I’ve seen the renderings, and it ain’t going to work out.”
Los Angeles — “Mike rejected pessimism as political fatalism in favor of the optimism necessary for organization.”
PRINCETON — Kats’s presentation diverged from the standard monographic treatment by fastening onto a wider perspective.
Chelsea — I stumbled across a poignant juxtaposition.
New Haven — “Denise Scott Brown: A Symposium” was a Festschrift in spirit, if not quite in name.