Contributor
Emily Conklin
is a designer and architecture historian currently finding her way around a DSLR camera. She’s loved the Bechers for most of her adult life.
Articles
The Bechers didn’t edit their photos the way contemporary photographers might, making the aesthetic continuity between each frame that much more impressive.
Dispatches
2/23/23
The Inner Life of Buildings
Chelsea —
I stumbled across a poignant juxtaposition.
12/2/22
Architecture Responds
Lower East Side —
And at what point does reactivity slide into reactionaryism, exemplified by the field’s gendered outlook?
6/27/22
Transition Is Inevitable
CHINATOWN —
What if you were passed the pamphlet over the cubicle wall? What if it made its way into your pencil case? What would you as a worker need to know?
5/24/22
Why Build a Fence?
ASTOR PLACE —
This next generation has rejected the model handed down by predecessors, making work that makes a case for a genuinely radical practice.
Events
14 May Thu
⬤
Discussion
6:00 p.m. EDT
May 14, 2026
NY
