Skyline!

Skyline

MIDTOWN — I encountered no protestors making noise, only believers in their own land.
ZOOM — After fifteen months of silence, the World Monuments Fund “calls attention to the dire situation” in Gaza.

2024

Laguardia Place — Why do people still like this ugly stuff?
SoHo — Don’t stop the presses.
East Village — I couldn’t tell what was real and what was fakity-fake-FAKE.
St. George — I came with two goals: eat some locally grown free samples and cheer the coronation of the 2024 Fig King.
Gramercy Park — Theory acted as chaser for magic, dulling the humiliation of “consensual deception.”
Morningside Heights — Sting’s affected holiness—endemic among British pop singers of the Live Aid generation—was a natural fit.
Chelsea — “By the time you’ve discussed it with your editor, it’s definitely not stream-of-consciousness.”
MEATPACKING DISTRICT — Liza Sylvestre described the space of the caption as “crip space,” open to the subjectivity of experience and expanded authorship.
LAGUARDIA PLACE — “The nature of the problem is power-driven and political.”
Lower East Side — At their most cynical, these artificial ruins exemplify what urban planners refer to as “retaining neighborhood character.”
Bed-Stuy — At least in theory, tennis concessions aren’t always about the Benjamins.
Clinton Hill — Grinding everything to a halt daily is the point.
East Village — A purist waterscape of faraway springs, streams, and reservoirs formed in my mind.
Hudson Yards — It became hard to hear over the consultant speak and self-congratulatory backslapping.
Flatiron — “We are all writing the story of the Portal and it’s still being written.”
Upper East Side — “It’s like an endurance test,” she said. “If you made it through, we’ll give you a badge.”
Soho — A who’s who of Dimes Square literati and Canadians who moved to Berlin who moved to New York
Flatiron — The word that went mostly unsaid at the event was power.
Chinatown — “I obviously have a complicated relationship with this.”
Hamilton Heights — Maybe this is why the encampment I saw being built at City College felt so sturdy, less an act of defiance than an acknowledgement of its necessity.
East Village — You can’t enter the houses Donna Dennis builds, and for good reason.
Morningside Heights — “I wanted to take on something overtly political within architecture, and abortion clinics are one of the most contested spaces in this country.”
City Hall — “What do we want?” “Housing.” “When do we want it?” “Now!”
Lower East Side — “You can’t stop the inevitable.”
Morningside Heights — “Given the way the world looks right now, world-building isn’t the task that we want to set for ourselves.”
Chinatown — “Rats—they are builders of the natural environment. They’re architects!”
Prospect Heights — Lecture topics ranged from Palestinian liberation to the ethics of AI; a Marxist theater troupe from Vermont performed twice.
Upper West Side — “Everyone who came to hold the sign and carry it with me through the neighborhoods became part of a collective monument.”
Midtown — In place of the transit nerds I had expected to find were aspiring comics and adherents of the funny pages.
SOHO — No one I spoke to had heard of him, though googling eventually turned up a website with a Wayback Machine-via-Wix aesthetic that doubles as an archive.
LAGUARDIA PLACE — The Principles of Good Urban Design could become a valuable resource for New Yorkers, if they would take the time to read it.
Los Angeles — A joyous confluence of art and architecture, activated by a respectful intrusion of movement and sound throughout the (relatively) modest modernist villa.
GRAMERCY PARK — The titular chase through the city and the Lincoln Tunnel ends in a New Jersey landfill.
Clinton Hill — “We are doubting our own methods; we are doubting our own efficacy; we are engaging in our work because this is what we know how to do.”
Chinatown — “LA has an incredible legacy of design and architecture that’s about its connection to landscape...”
MORNINGSIDE HEIGHTS — If, as Walker described, monuments are “furniture” that drift into the civic background of city life, then tributes to the Confederacy are active clarion calls.
FIDI — I had assumed that the hip kids flocking to the slightly dour office building on a Sunday night would all be going to the same destination, but what did I know? “That’s why you shouldn’t just follow people,” my friend said to me.
ARTS DISTRICT — “Fuck shit up.”
COOPER SQUARE — “When we speak of friends we’ve lost, we speak inevitably of ourselves.”
Cooper Square — “You can add all the entrance ramps in the world, but I’m not going to come to this museum because the height of the pictures makes it clear you are not thinking of me.”
MIDTOWN — “What, if anything, did we do right?”
KENMARE STREET — “During the day, it is the source of my income. At night, it is my home,” she said in reference to the massage parlor.
LA BREA — ...a big ask for a crowd who wants to know whether you can park out front after 6 p.m. without getting towed
LAGUARDIA PLACE — “I like to think of [pools] like the pub, or the park, just a place to meet up,” he said, evoking the kinship of small-town life.
RED HOOK — “If we have burning questions that we want to ask, we’re going to put them in the ‘Ideas Bin,’” she said.
WEST VILLAGE — Groeneboer said he aimed for the scale of the work to be “the architectural rather than the monumental,” though he might have added infrastructural.
Hollywood — “She had me practice on a chicken breast. I was super nervous.”