#32

- Contributors
- Gideon Fink Shapiro, Piper French, Enrique Ramirez, Jonah Coe-Scharff, Anjulie Rao, Leijia Hanrahan, Allison Hewitt Ward, Kavyashri Cherala, Kevin Rogan, Nicolay Duque-Robayo, Alex Kitnick, Matthew Allen, Alex Klimoski, Rachel Bondra, Jaffer Kolb, Leslie Kern, Samuel Stein, Kate Wagner, Emily Conklin, Carolyn Bailey, Alex Tell, AJ Artemel, Michael Nicholas, Nicolas Kemper, Jesse Dorris, Randa Omar, Phillip Denny, Lyta Gold, Martin C. Pedersen, Ray Hu, & Eric Schwartau
- Editor
- Samuel Medina
- Deputy Editor
- Marianela D’Aprile
- Publisher
- Nicolas Kemper
- Editors-at-Large
- Alex Klimoski, Carolyn Bailey, & Phillip Denny
- Art Director
- Laura Coombs
- Digital Director
- Seth Thompson
- Cover Illustrator
- Sean C Suchara
- Illustrators
- Ben Denzer, Darcy Moon, Sean C Suchara, Laura Szyman, & The Hustle Architect
- Skyline Editors
- Anna Gibertini, AJ Artemel, Tess McCann, Sebastián López Cardozo, Osvaldo Delbrey, & Emily Conklin
- Copy Editor
- Don Armstrong
Reviews
The Constant Future: A Century of the Regional Plan was on view in Grand Central Terminal’s Vanderbilt Hall from October 7 to October 25, 2022.
An RPA-themed exhibition performed the usual lip service to social equity without addressing the inequality baked into prevailing models of development.
Notes on Downtown: Los Angeles 2007–2022 by Désirée van Hoek, 2023 (self-published).
Downtown LA represents an intentional failure of the built environment.
Vacant Spaces NY by Michael Meredith, Hilary Sample, and MOS Architects. Actar, 608 pp., $50
Peeling back the brown paper on Manhattan’s vacant retail spaces
Straight Line Crazy, a play by David Hare, ends its run at the Shed on December 18.
A Robert Moses play plays the hits.
The Storefront for Art and Architecture once approached serious topics with buoyancy and a sometimes tongue-in-cheek attitude. What happened?
Bernd and Hilla Becher was on view at The Metropolitan Museum of Art from July 15 to November 6.
The Bechers didn’t edit their photos the way contemporary photographers might, making the aesthetic continuity between each frame that much more impressive.
Skyline Dispatches
Endlessly Congenial
Articles
An RPA-themed exhibition performed the usual lip service to social equity without addressing the inequality baked into prevailing models of development.

Downtown LA represents an intentional failure of the built environment.

There comes a loud, thudding crash.

Peeling back the brown paper on Manhattan’s vacant retail spaces

What is the student-debt crisis doing to the field of architecture?

Why was such an inhospitable environment selected for a major athletic event in the first place? The answer is pretty straightforward: they bought it.

The journey from social practice to blue-chip Westside gallery is an odd one.

Every seat in Alice Tully Hall is both the best and the worst one
Corb’s objects offered arch object lessons on how to live.
What happened to architectural deconstruction and the radical world it promised?

The Storefront for Art and Architecture once approached serious topics with buoyancy and a sometimes tongue-in-cheek attitude. What happened?

At the Met’s Costume Center, “f” is for “fake” (and that’s no bad thing).
Gentrification isn’t what you think it is. Not exactly.

David Geffen Hall promised to rid New York’s preeminent concert venue of its sonic troubles. But this tale of woe goes far deeper.

The Bechers didn’t edit their photos the way contemporary photographers might, making the aesthetic continuity between each frame that much more impressive.



In its sixteen-foot-tall cellar, the presses churned out hundreds of thousands of issues a day. A gold-plated dome housing Pulitzer’s private office pierced through its cornice.

The mass manufacturing of consent to remake US cities occurs not in an idealistic vein, but in a spirit of cultural anxiety.
I am not a disciplined listener; I do not have an especially profound relation to music.
A tiny pocket of Chinatown and its discriminating, religion-affirming denizens loom large in the media: a tour.

If New York was going down, we thought, we wanted to go down with it.

Amazon’s New York takeover won’t be through offices but rather infrastructure.
Like with much of what is spewed out of New York’s over-hyped, PR-industrial complex, a closer look at Central Park reveals a thin green veneer covering a hollow and tired system.
