Mark Krotov
Articles
My longing for LOMEX occupies a kind of double counterfactual—what if, but what if not in that way—not wholly dissimilar from Rudolph’s own.
Mentions
Why do people still like this ugly stuff?
My longing for LOMEX occupies a kind of double counterfactual—what if, but what if not in that way—not wholly dissimilar from Rudolph’s own.
Why do people still like this ugly stuff?