#2

- Contributors
- Shane Reiner-Roth, Oliver Wainwright, Julian Rose, Christopher Hawthorne, Dana Cuff, James Rojas, Mark Rios, Victor J. Jones, Chava Danielson, Jia Yi Gu, Christopher Torres, Michael Casper, Mimi Zeiger, Lina Abascal, Nick Murray, Joanne McNeil, Phillip Cox, Renée Lynn Reizman, Alissa Walker, Lyra Kilston, Chelsea Kirk, Caroline Tracey, Claudia Ross, Eric Schwartau, Skijler Hutson, Aubrey Bauer, Nora N. Khan, Matthew Specktor, Greg Goldin, Pete Segall, James Graham, D.J. Waldie, Enrique Ramirez, Carolina Miranda, Nicolas Kemper, Aurora Tang, Eva Hagberg, & Marissa Gluck
- Editor
- Samuel Medina
- Deputy Editor
- Chloe Wyma
- Publisher
- Nicolas Kemper
- Associate Publishers
- Nicholas Raap & Lari Rutschmann
- Art Director
- Laura Coombs
- Cover Illustrator
- Sean C. Suchara
- Illustrators
- Min Heo, Jason Adam Katzenstein, & Jonathan Rosen
- Operations
- Michael Piantini
- Contributing Editors
- Marianela D’Aprile
- Copy Editor
- Nick Murray
- Proofreader
- Don Armstrong
- Editorial Fellow
- Olivia Oldham
Articles
Distance has a habit of rendering some things clear and others invisible.
One of the chief benefits of being an outsider is having no bridges to burn, no in-laws to upset.

The most decisive year in LA’s modern history is around the corner. Will the city meet the moment?

Postfire redevelopment could help long-term Altadena residents regain their footing—or hasten their exit.

A hole in the universe opened in the Valley. We tried lying on top of it.

The utopian potential of a hot hippie enjoying his precut wood

An unconventional key to some of the features of a Los Angeles housing tract

Green is LARB’s color; it also happens to be the Granada’s
Reviews
Tesla Diner, designed by Stantec, opened at 7001 Santa Monica Boulevard in July.
In July, Tesla opened its own neo-Googie Diner on Santa Monica Boulevard, giving Los Angeles a slice of Muskian techno-utopia.
The Small Lots, Big Impacts initiative is a collaboration between cityLAB-UCLA, LA4LA, and the City of Los Angeles. The winners of its inaugural design competition were announced in May.
There’s room aplenty within LA’s vast sprawl, where interstices of immanent potential have been left unbothered for the last hundred years.
Lawrence Lek: NOX High-Rise is open at the Hammer Museum through November 16, 2025.
NOX presents consciousness not as humanity’s exclusive domain, but an emergent property that brings with it inevitable suffering.
“Something to wrap the herring in” by Esther McCoy appeared in the February 1986 issue of Progressive Architecture. The magazine published Roger Corman’s response in August of that year.
McCoy takes shots at MGM Studios, Mel Brooks, and the director Herbert Ross—La Mesa property owners all—but reserves the bulk of her disgust for Roger Corman.
Franklin D. Israel: A Life in Architecture by Todd Gannon. Getty Research Institute, 256 pp., $60.
Franklin D. Israel embraced the “intensification of uncertainty” on the long slide toward oblivion of the American Century, with Los Angeles, as always, glittering on the precipice.
Shade: The Forgotten Promise of a Natural Resource by Sam Bloch. Random House, 336 pp., $32.
On our own, we are defenseless against the fireball we happen to depend on for existence.
The Pacific Circuit: A Globalized Account of the Battle for the Soul of an American City by Alexis Madrigal. Picador, 384 pp., $32.
For activists of air, the atmosphere is not only “up there” but comes from, and returns to, the ground.