Articles

Interviewed by Alissa Lopez Serfozo

It’s not carbon; it’s carbon modernity.

When most of us turn and look at our interiors, there is no quality to be seen, let alone any architecture.

Megaprojects like Sunnyside Yard are a New York staple. That doesn’t mean their track record is clean.

With Countryside, The Future, Rem Koolhaas and the Guggenheim offer a foie-gras approach of feeding the arts establishment uncomfortable, seemingly indigestible content.

With the demolition of the Union Carbide Building, a huge chunk of the city is headed to the landfill.

Too wide to be a tenement but too narrow to be a courthouse, 538 East 11th Street is one of the last extant examples of a unique type of public building that proliferated during the first decades of the twentieth century.

A predilection for Palladio, for Russian Orthodox churches, for vernacular architecture, for medieval urbanism, for counterculture development…

Lairs are kingdoms for one, perfectly designed to each villain’s dystopian vision. Or utopian, depending on how you slice it.

“Reverse the arrows.”

Cesar was more of a conductor than a composer.

“Hedonism in the face of global catastrophe?”

The OMA towers are early to the party.

History—commercially reproduced as a spatialized representation.