#51
- Contributors
- Mark Krotov, George Claflen, Casey Mack, Paul Goldberger, Elmo Tumbokon, Sammy Biglin, Zack Hatfield, Kim Hew-Low, Izzy Kornblatt, Isabel Cristo, Jo Livingstone, Thomas de Monchaux, James Andrew Billingsley, Audrey Wollen, Sam Fentress, Aaron Timms, Eric Schwartau, Mario Carpo, Olivia Oldham, Jackson Arn, Lari Rutschmann, Owen Hatherley, Huw Lemmey, Clare Fentress, Jennifer Kabat, Beatrice Loayza, Kannan Mahadevan, & Nicolas Kemper
- Editor
- Samuel Medina
- Deputy Editor
- Chloe Wyma
- Publisher
- Nicolas Kemper
- Associate Publishers
- Lari Rutschmann & Nicholas Raap
- Art Director
- Laura Coombs
- Cover Illustrator
- Sean C. Suchara
- Illustrators
- Sean C. Suchara, Jason Adam Katzenstein, & Lauren Martin
- Operations
- Michael Piantini
- Contributing Editors
- Marianela D’Aprile, Eric Schwartau, Thomas de Monchaux, Aaron Timms, & Clare Fentress
- Proofreader
- Don Armstrong
- Coeditor
- Nick Murray
- Editorial Assistant
- Olivia Oldham
- Digital Coordinator
- Naman Agarwal
- Caption Contest Illustrator
- Madelon Vriesendorp
Articles
At the New Museum, OMA serves up reheated retrospection.
A positivist pool, a billion oysters, and the eternal sunshine of the short 2010s
In Central Park’s Conservatory Garden, a supercilious formality reigns.
My transvestigation into a slut-pop psyop had, at the edge of a Superfund site, reached its own dead end.
An improbable marriage of fine art and international investigative journalism
Reviews
In the rarefied, privileged enclaves of elegant urban life, downtown supermarkets like the one I remember from my hometown did not shut down but thrived and often became enduring cultural references.
Wages for Housework: The Feminist Fight Against Unpaid Labor by Emily Callaci. Seal Press, 288 pp., $30.
Some saw the wage as the goal. Others saw it as a tool—sometimes even a bludgeon—to break down received ideas about work and love.
Not content with the damage they’ve wrought, the people who destroyed Gaza are already considering what to erect in its place.
Struggles in the Concrete: Architecture and the Marxist Tradition by Mark Crinson and Luisa Lorenza Corna (eds.). Birkhaüser, 240 pp., $40.
Socialism in one building?
Antifascist Architecture by Andrew Santa Lucia and Daniel Jonas Roche, with original drawings by Lane Rick. Parks Books, 256 pp., $40.
Too often in Antifascist Architecture, the architecture isn’t antifascist and the antifascism isn’t architecture.
Crumbling Land, a project by Noah Gotlib, was on view at Citygroup from June 4 to August 1.
Insurers are retreating from risk-exposed regions, while authorities are failing to keep pace with the crises unfolding around them. Into this breach, Gotlib hopes, come citizens working in concert to navigate devastating changes.
Sick Houses: Haunted Homes and the Architecture of Dread by Leila Taylor. Repeater, 240 pp., $17.
So much of what makes an otherwise innocuous home scary is dependent on where we look, how we move, and how long we linger—work the movie camera performs.
Stories and Set Designs for The Sopranos ran from February 14 to May 31 at the Museum of the Moving Image.
Return to that precarious, aspirational year, 1997. Feel the disorientation the HBO execs must have felt watching that opening scene, which takes place in the least legible (for a mob show) of all the series’ spaces, Dr. Melfi’s office.
