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From Within: The Architecture of Helena Arahuete, curated by Silvia Perea, ran from September 23 to December 17, 2023, at the Art, Design & Architecture Museum at the University of California, Santa Barbara.
An exhibition’s celebration of Helena Arahuete’s draftsmanship reiterates the incredible technical facility and breadth of knowledge required to be a good architect.
M³: modeled works [archive] 1972–2022 by Thom Mayne and Morphosis. Rizzoli Books, 1008 pp., $50.
But if models are a myriad of things and also not those things, what is a hefty volume full of discourse-heavy texts and chockablock with photographs of models?
John Andrews: Architect of Uncommon Sense edited by Paul Walker. Harvard Design Press, 506 pp., $78.
Few architects of the last century worked at the same scale as John Andrews. What’s surprising is how unfazed he seemed by it all.
The buildings’ stories, not just their architectural qualities, are the focus of the exhibition.
Out of Place, on view from September 22 to October 1st at Mextrópoli, Mexico City
Why is this replica here? Why is there a deep-rooted collective association between Barragán and Mexican identity? What lies behind the towering terrace walls?
My Architect (2004), directed by Nathaniel Kahn.
Radical Landscapes (2022), directed by Elettra Fiumi
Skin of Glass (2023), directed by Denise Zmekhol
The category Directed by Child of the Architect dominated this year’s Architecture and Design Film Festival.
The dissident architect László Rajk activated the vast possibilities of the present by invoking collective memory.
How To with John Wilson, written and produced by John Wilson, ended its three-season run in July.
The people and things that John Wilson assembles in his beguiling anthology remain unassimilable in their bizarre singularity.
The latest iteration of the Chicago Architecture Biennial is not a place, it’s a direction. Who knows where it’s going?
American Framing: The Same Something for Everyone by Paul Andersen, Jayne Kelley, and Paul Preissner (eds.). Park Books, 252 pp., $40.
American Framing is overly eager to claim new ground for something that is surely unsustainable in the long term.
The sixty-first New York Film Festival.
“Trying hard to be the New York Film Festival—not the Lincoln Center or Upper West Side Film Festival.”
How to Live with Objects by Monica Khemsurov and Jill Singer. Clarkson Potter, 318 pp., $60.
Therapy-speak for those bitten by the shopping bug.
Terrace Story: A Novel by Hilary Leichter. HarperCollins, 208 pp., $28.
A tale where there’s never enough room, where nothing but the essential lasts, where there aren’t morals so much as morality.
Flowcharting: From Abstractionism to Algorithmics in Art and Architecture by Matthew Allen. Gta Verlag, 140 pp., $26.
What is at stake in Flowcharting is the role that computation might play in a project for a “progressive” architecture.
Emerging Ecologies: Architecture and the Rise of Environmentalism, curated by Carson Chan with Matthew Wagstaffe, Dewi Tan, and Eva Lavranou, is on view at the Museum of Modern Art, New York, until January 20, 2024.
For the most part, Emerging Ecologies occupies a mundane topography of composting toilets, upcycled materials, bioshelters, and geodesic domes.
Within so much physical unobtrusion and almost self-negating structures, you’ve got to supply your own atmospheric narrative.