West World

But if models are a myriad of things and also not those things, what is a hefty volume full of discourse-heavy texts and chockablock with photographs of models?

COURTESY RIZZOLI BOOKS

The thing about architectural models is that they are both the thing and not the thing—a point reiterated across the 150 accumulated texts that make up M³: modeled works [archive] 1972–2022, the recent monographic release from Thom Mayne and Morphosis Architects. M for Morphosis, M for Mayne, M for model, one presumes. About the size and shape of a doorstop, with a large, M-shaped hole carved out of the chipboard cover (yes, the same stuff models are made from), offers endless ruminations on the architectural maquette. Models are the world in miniature; models are between the real and the abstract; models are, in the words of twin philosophers Zoolander and Dank Lloyd Wright, “a center for ants.”

But if models are a myriad of things and also not those things, but maybe, definitely something else entirely, what is a hefty volume full of discourse-heavy texts and chockablock with photographs of models?

Mayne and the book’s editors, Hallie Black…

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