Articles
Articles
American Framing is overly eager to claim new ground for something that is surely unsustainable in the long term.
“Trying hard to be the New York Film Festival—not the Lincoln Center or Upper West Side Film Festival.”
A tale where there’s never enough room, where nothing but the essential lasts, where there aren’t morals so much as morality.
What is at stake in Flowcharting is the role that computation might play in a project for a “progressive” architecture.
For the most part, Emerging Ecologies occupies a mundane topography of composting toilets, upcycled materials, bioshelters, and geodesic domes.
Within so much physical unobtrusion and almost self-negating structures, you’ve got to supply your own atmospheric narrative.
How did a seemingly incorrigible part of New York, which countless mayors had promised, but failed, to clean up, change so drastically?
Rafael Herrin-Ferri’s guidebook to Queens’ polymorphous saltboxes, shotguns, and McMansions is a romp through New York’s “global village.”
What happens when a revolutionary communist artist makes content for Amazon Prime?
The most striking thing about A. V. Marraccini’s new book on criticism is not that it is personal, or even intimate—it’s that it is, against all odds, uncynical.
In a time of multiple crises and an increased understanding of architecture’s complicity in spatial injustice, what and who is an architectural exhibition for?
