Fête the launch of #51 at Honey’s on Monday, September 28!
Articles
At the New Museum, OMA serves up reheated retrospection.
A positivist pool, a billion oysters, and the eternal sunshine of the short 2010s
In Central Park’s Conservatory Garden, a supercilious formality reigns.
Wages for Housework: The Feminist Fight Against Unpaid Labor by Emily Callaci. Seal Press, 288 pp., $30.
Some saw the wage as the goal. Others saw it as a tool—sometimes even a bludgeon—to break down received ideas about work and love.
Struggles in the Concrete: Architecture and the Marxist Tradition by Mark Crinson and Luisa Lorenza Corna (eds.). Birkhaüser, 240 pp., $40.
Socialism in one building?
Sick Houses: Haunted Homes and the Architecture of Dread by Leila Taylor. Repeater, 240 pp., $17.
So much of what makes an otherwise innocuous home scary is dependent on where we look, how we move, and how long we linger—work the movie camera performs.
Stories and Set Designs for The Sopranos ran from February 14 to May 31 at the Museum of the Moving Image.
Return to that precarious, aspirational year, 1997. Feel the disorientation the HBO execs must have felt watching that opening scene, which takes place in the least legible (for a mob show) of all the series’ spaces, Dr. Melfi’s office.
