Sean Tatol

A piece of metal laying across a wooden pallet may have been one of the missing works, I don’t know.

Dan Graham’s quirks were the stuff of legend. They’re also key to appreciating his artworks.

For Edward Hopper, New York was a fount of sights that he never tired of seeing or, indeed, painting.

Trompe l’oeil—a crass parlor trick or a great advance in Western art?