Articles
Asset managers and AI are here for the design media’s copper wire.
Marcel Breuer’s museum on Madison opened our eyes to the sublime. Let’s not look away now.
“What would happen if we foregrounded human values in the creation of our systems?”
In New York City, real estate plays double duty, and apartments turn into art galleries.
After Work: A History of the Home and the Fight for Free Time by Helen Hester and Nick Srnicek. Verso, 288 pp., $27.
Do you believe in life after work?
Paris Is Not Dead: Surviving Hypergentrification in the City of Light by Cole Stangler. The New Press, 304 pp., $27.
The City of Lights still has some fight left in it.
Louise Nevelson’s Sculpture: Drag, Color, Join, Face by Julia Bryan-Wilson. Yale University Press, 352 pp., $60.
The World Outside: Louise Nevelson at Midcentury by Shirley Reece-Hughes. Yale University Press, 208 pp., $50.
For Louise Nevelson, imitation was an affirmation that her style was worth repeating.
Copy Machine Manifestos: Artists Who Make Zines, organized by Branden W. Joseph and Drew Sawyer with Marcelo Gabriel Yáñez and Imani Williford, was on view at the Brooklyn Musuem from November 17, 2023, to March 31, 2024.
Black-and-white xeroxed collages given away for free, or highly-curated, glossy magazine–style publications, or anything in between.
